An Evening With Kevin Smith 2: Evening Harder

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A follow up to the highly successful, An Evening With Kevin Smith, Evening Harder includes wildly funny, irreverent Q&A sessions in London and Toronto with one of Hollywood's most gifted and hilarious filmmakers. This is yet another chance to get up close and personal with the man that brought you Dogma, Clerks and Jay and Silent Bob Strike Back. .com ---- While watching An Evening with Kevin Smith 2 (let's skip over that stupid subtitle, shall we?), you may ask yourself, "Why should I give a **** about anything Kevin Smith has to say?"--and then you'll be laughing in agreement with a lot of what he says. For better or worse, the potty-mouthed creator of Clerks and Dogma is an expert at combining his own "View Askew" perspective with stand-up comedy and ribald Q&A with (mostly) appreciative audiences. The novelty here is that Smith (now looking richer and more custom-tailored than he did on the cover of An Evening with Kevin Smith ) is equally at home with fans in Toronto and London, where his cross-cultural observations inform much of their humorous interaction. Whether he's discussing the X-Men movies as sexual allegory, recalling how his wife caught him masturbating to pictures of her that he for Playboy, or making prescient observations about Mel Gibson's career meltdown (just a few of the many topics covered here), Smith remains admirably frank about his fan-base, his limited skills as a filmmaker, and his counter-cultural status as a chubby fan-boy who made good in Hollywood. Even when he tests your tolerance with opinions best kept to himself, Smith is a focused observer of his own milieu, willing to expose his insecurities while refusing to suffer fools in his audience (and there are more than a few). As with his previous stand-up DVD, Smith welcomes frequent (and now drug-free) costar Jason Mewes onstage for some extreme (and extremely funny) sex-talk, including demonstrations of Mewes' "half-half-whole" technique (don't ask), and later (as a disc 2 bonus feature) approaching young London women with a the kind of pick-up lines (like "Let me get up in them guts") that only a guy like Mewes could get away with. Dropping F-bombs like there's no tomorrow, Smith is crude but intelligent (nobody makes it on luck alone), and this two-disc set will satisfy established fans and would-be converts alike. Likewise, Smith-haters will find nothing to change their minds, since Smith occasionally comes across as smug and self-satisfied, even when he's really not. What matters here is the humor of a self-effacing guy who's never quite sure if he deserves his own success. That puts Smith on even terms with his fans, and it's that dynamic, more than anything else, that makes these concerts a whole lot of fun. --Jeff Shannon